雖然時間比較短，但每一個單元的畫風和故事都讓人看到上頭，基曼可以說從舊電視的英雄風逐漸走向寫實風，忍不住爆出一句wc，nb

故事太弱，沒內容，錢也不知道花在哪裏了

非常非常棒 英語再好一點就能聽懂更多笑點了。。。旁邊的大哥一會兒笑一會兒哭。。。

人物全都不討喜，拍攝也平平，宗教線很水，AI線尚可。劇這種東西，如果一旦以不斷的洗牌人物結構和黑白對立來做節奏樞紐就很難再上一步，可惜大量的劇也就隻有這個辦法來苟延殘喘。

I was expecting something properly controversial here with all that fuss, instead I saw the safest, perhaps most unoriginal way of making fun of the Nazis. Scarlett Johansson's character, with a perception that's clearly modern and new, is completely out of place. The entire Nazi environment depicted in the film was made up purely of the writer's tabloid, superficial (mis)understandings of Nazism. Filled with hackneyed symbolism and plain kitsch, there's absolutely nothing bold or adventurous in this film (the only 'good' nazi has to be a gay, how surprising). Anyone who says this film works against political correctness doesn't know the first thing about contemporary politics.