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兄弟不適合拍超過100分鍾的片子

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Perplexity, surrealism & absurdism in a musty, shabby & filthy atmosphere. Many signs inaugurate early on the sheer queerness of whatever revolves around Barton Fink - his own madman's facial expressions, a pitiful & empty hotel, faint sounds that obsessessively bother only him, dubious characters & personalities in Hollywood. But the viewer can still hang in this mess, and somehow (with a little effort) make some sense of what's happening. It's only towards the last third that the increasing contradictions explode into no(n)-sense. The only - and cheap - way to read the movie would be that most of these irreconciliable scenes are in fact dreams or hallucinations. Disappointing.

一般。開始的拍攝視角挺有意思的，以每個逃亡小組為單元，單元故事間有交叉劇情，最後集中成一個小隊。前半部分僵屍出現得少，主要是探討人性，特別是五個人在餐廳裏不停變換立場那裏拍得挺好。

從觀眾的視角，這個故事理解起來費勁，甚至不太完整，但是足以成為影史上的經典之作