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和溝口健二的《武藏野夫人》如出一轍，不過兩位導演的側重點不同，溝口健二喜歡用感情映照時代，而成瀨巳喜男更注重人物的內心感受與變化。

能銘記苦難而又不忘初衷的民族才能永不滅絕

喜歡這個結局，但生活中希望這對能在一起

“Life is a random process but you can add a narrative to it.And so by doing that,it just seemed logically you would do this thing and then you would finish in the place where all started."

“失衡”和“yearning”都比“情迷意亂”更貼合主旨。太大師風範了，幾處情感的轉換都非常細膩，沉穩的調度將言不由衷都埋進了綿延的波瀾不驚裏。